Final Fantasy VII was re-released on steam this week. It seems like every year that game is being re-released on another platform. It’s easy to call foul every time Square-Enix try to wring another drop out of their favourite cash cow but I don’t really see a huge problem with it. In fact, I like … Continue reading Catch 404: the Importance of Protecting Games Writing
[Originally posted on Medium Difficulty] Ever notice how most fiction treats a breakdown of identity as just about the worst thing that can happen? Oedipus’s tragedy stems from not knowing who he “really” is, Mad Men is all about characters creating and escaping their “real” selves, Philip K. Dick asked Do Androids Dream of Electric Sheep? because … Continue reading I Am Many: Multiple Identities in Persona 3
[originally posted on PopMatters] Somewhere during the first third of Final Fantasy VII, as the party grows and events begin coalescing, the protagonist, Cloud, complains that he’s turning into a “three-ring circus.” This is a cute bit of meta-humor as the game followed the then common convention of having party members travel around inside the body … Continue reading We Are One: JRPGs, the Group Journey, and the Mechanics of Cooperation
I’d like to expand on some of what I’ve said in my article for The Border House on sexism in a scene of Breath of Fire 4 (“Sexism and Power Dynamics in Breath of Fire IV.” The Border House. Mar 13 2013). In the scene, a main character, Nina, must work for a minor character, … Continue reading Deconstructing Another Castle: How the Damsel in Distress Trope Fails to Move Plots
[Originally posted on PopMatters] Games are about agency. They also blur the line between character experience and audience experience. The audience is the main character in a game, and the events of the story impact the audience directly. All that holds immense narrative potential, of course. In a game, then, the hero’s victory is the … Continue reading Forced Failure and the Undignified Hero
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