A Garbage Wanderer’s Guide to the Apocalypse

In the past I’ve raged against some cable exclusives distinguished (even if on occasion rightly) for being “good” TV like The Walking Dead and Game of Thrones because they endorse a really anti-social understanding of human relationships.1 These texts discuss an “inevitable” and desperate microsociety in the context of the world’s end (in the case of the former), or the … Continue reading A Garbage Wanderer’s Guide to the Apocalypse

The Ludic Rashomon

A Rashomon, named after Akira Kurosawa’s 1950 film, is a story repeated several times from different characters’ perspectives. Each retelling adds more information from each character until, in the end, a full story emerges. The Rashomon effect is a psychological phenomenon wherein multiple witnesses view the same event but describe it with different or even … Continue reading The Ludic Rashomon

Life at the Grindstone: the small significance of grinding

The Magus by John Fowles follows an entitled, selfish English graduate as he escapes his failed ambitions and relationships to a Greek island. There he meets Maurice Conchis, a billionaire intellectual who may be (but probably isn’t) connected to a supernatural force. The novel, set just after the Second World War, explores post-war masculine anxiety, … Continue reading Life at the Grindstone: the small significance of grinding

The Stake Is Not The Power: Patriarchal Power Systems in Buffy the Vampire Slayer and Arkham City

Buffy the Vampire Slayer is, by many accounts, a feminist text. But what does that mean? Many would argue it means that it features a “strong female character.” But what does that mean? Buffy is certainly strong physically: she kicks ass (everyone knows that). But the fact that its heroine kicks ass — is that … Continue reading The Stake Is Not The Power: Patriarchal Power Systems in Buffy the Vampire Slayer and Arkham City